As we move into December, the title of this novel seems particularly apt.
Screen-writer Amanda Coe examines the fall out in an already fractured family after the death of the mother, Sara. Nigel and Louise, her children, are both grown up now with their own difficult families but 35 years earlier, Sara abandoned her children to live with Patrick, now an old man but at that time a fashionable playwright and darling of the Left.
In the aftermath of their mothers death , Nigel and Louise descend on the ramshackle cottage in Cornwall which Sara had shared with Patrick to pick over her possessions and also the reasons their mother left them all those years ago. Getting Colder is in fact the name of a hide-and-seek type game they used to play with their mother when they were children.
Both Nigel and Louise have been left damaged by their mother’s betrayal. Nigel’s years at boarding school have left him with an anxiety related digestive problem. Louise, dumped with a godmother as her carer, has constant feelings of unworthiness. Her neediness is spilling over into her relationship with her own two children. Patrick is an intensely unlikeable ,self-obsessed and self pitying bully and it is hard to see what Sara had ever seen in him.
“I’ll never forgiver her, you know. Leaving me like this.”
He meant Mum. Well, rampaging end-stage cancer was hardly running off with the milkman. Nigel pushed the sugar bowl his way appeasingly.
“Ashes,”said Patrick. “O God.” And to Nigel’s dismay, he wept. Nigel hated this, always had,the way Patrick detonated instantly into high emotion, winding you in the backdraft.
Into this heady mix comes Mia, an attractive young student apparently researching Patrick’s almost forgotten writing but someone who has an agenda of her own.
“My cock doesn’t work,” he had told her, a few days into the blouse-button routine. ” Shut up shop years ago”
It had made everything more possible. Even at its most enjoyable, sex always made Mia feel she was missing the point of something other deployed to enhance their status by claiming to find it transformational – much like those who trumpeted their love of the theatre.Well, she was different, as usual. Her pleasure was mild enough when she fancied someone, like Jonathon; it would have been downright impossible with Patrick.
Each chapter of the novel is seen through the eyes of Nigel, Louise or Mia. Each episode is prefaced with an extract from notes, letters and cards written by Patrick and Sara over the years and through which the trajectory of their love affair and its consequences can be traced,
Given the subject matter this could be an extremely depressing read however Coe’s witty style saves the book from becoming gloomy. Here, a young Louise , who has recently been shown a sex education film in school, tries to work out why her mother has left her father for Patrick :
But Louise knew, unlike her friends that any or all of the improbable facts imparted about adult sexual behaviour had to be true. The weirdness must take place, because why else would Mum leave Dad, and them? Since nothing made sense, you had to believe in a compulsion you couldn’t understand. It was all because Mum wanted Patrick’s penis in her vagina. Dad’s penis wasn’t good enough for some reason.
The clue to the result of Nigel and Louise’s search is found in the quote from Ted Hughes which appears on the frontispiece :
‘What happens in the heart simply happens’
A very enjoyable read and thank you to Ursula Doyle and Virago for the advance copy.